Kristin Hannaford

1. big my secret First always compose afternoons. Each epic day above demise, calmed by art Dutiful, desire ends easily focusing fingertips adagio against black chords. Fresh eye circles backwards, everywhere beyond beauty 2. the attraction of the peddling ankle A constant grace abstract conditions guide deeply cognitive gestures. Appears clear – go! askew down cliff dangling cycle air circulates, gliders about cruise glimpse dusty cyclist grazed Abject conundrum. Grunting ashamedly deciding cycle damage: critical The method: Select 2 pieces of music from one composer/songwriter (this first piece is from Michael Nyman's score for The Piano and pieces ‘Big My Secret’ and ‘The attraction of the pedaling ankle’) Using the first line transcribe notes as letters - write lines with words using those first letters. Keep original titles of music. * 1st piece uses right hand notation only, 2nd piece includes both left and right hand scores.